
by Ron Klinger

Introduction
to Bridge
Tournament Bridge
Scoring
Tactics
Ethics and Etiquette
How to Improve Your Game

Introduction
to Bridge
The form of bridge played today is
called 'contract bridge' and was invented in 1925. It is the most
popular card game in the world with over 100 countries as members
of the World Bridge Federation. The estimated number
of bridge players exceeds 60 million. Bridge is played by
four players and is a partnership game with one partnership
opposing the other.
The advantages of bridge include:
- You can play in any weather.
- There is no age barrier. Players
as young as five have been known to play and players in their
eighties have competed effectively in and won world
championships.
- Bridge will keep you mentally
alert in your latter years and quite probably will therefore
help you live longer. There is a negative correlation between
bridge players and those suffering from Alzheimer's.
- It is possible to play bridge
despite severe physical handicaps. Deaf people can play, as
can blind people. There have been blind competitors in
the world championships.
- It is relatively inexpensive to
play.
- You can play socially or
competitively. Either way the game offers a significant
challenge.
- You can meet lots of new people at
bridge clubs.
- It is possible to play bridge on
the Internet (available 24 hours a day, 365 days a year).


TOURNAMENT
BRIDGE
The main kinds of competitive bridge
are pairs events and teams events. Bridge is played
internationally. In each odd-numbered year there are the Bermuda
Bowl (World Open Teams) and the Venice Cup (World Women's Teams)
in which 16 teams representing different geographical zones
compete. Every four years in the 'Bridge Olympiad' a far greater
number of teams compete. In recent years, more than sixty
countries have been represented at these Olympiads. In the other
even-numbered years there are the World Pairs Championships (open
pairs, womens pairs, mixed pairs) as well as the Rosenblum Cup
(another World Open Teams).
Each country conducts national
championships and many tournaments of lower status. There are also
tournaments to select the players who will represent their
country.
Many clubs conduct an Individual
Championship once a year. In pairs and teams events, you keep the
same partner for each session and usually throughout the event. In
an Individual each competitor plays with every other competitor
for one, two or three deals. Individuals are not considered
serious events since partnership understanding tends to be
minimal. A calm temperament is a prerequisite to surviving an
Individual.
In general, pairs events are more
common than any other type of event. The advantage of tournament
bridge is that the element of having good cards or bad cards is
reduced to a minimum, since all players play exactly the same
deals. Another advantage is that you can compete against the top
players merely by playing in the same tournament. In few other
sports could a novice play against a world champion in a
tournament. Tournament bridge also improves your game, since hand
records are available to check afterwards where you may have gone
wrong.
There are some differences between
tournament bridge and rubber bridge in regard to technicalities
and strategy. Except at the first table, you will not shuffle and
deal the cards. The cards come to you in a tray, called a 'board'
and you must put the cards back in the correct slot after the
board has been played. The board is marked N, E, S and W, and must
be placed properly on the table. The board also states which side
is vulnerable and who is the dealer. During the play, the cards
are not thrown into the middle of the table. Each player keeps the
cards in front of them, turning them face down after the trick is
over. You may examine the trick just played only while your card
remains face up. Tricks won are placed vertically, tricks lost
horizontally. After the hand is over, you can see at a glance how
many tricks have been won and how many lost.


SCORING
Each board in tournament bridge is
scored independently. In rubber bridge if you make a partscore you
have an advantage for the next deal, but in tournament bridge you
do not carry forward any scores. You enter the score for the hand
played, and on the next board both sides start from zero again.
As each deal is totally unrelated to
what happened on the previous deal, there are significant scoring
differences in tournament bridge:
(1) Honours do not count (unless
otherwise stated by the tournament rules).
(2) For bidding and making a
part-score, add 50 to the trick total.
(3) For bidding and making a game not
vulnerable, add 300 to the trick total.
(4) For bidding and making a game
vulnerable, add 500 to the trick total.
The result you obtain on the board is
entered on the 'travelling score sheet' at the back of the board.
You may not look at that until the hand is over, since it contains
a record of the hand and also how other pairs fared on the board.
Your score on each board is compared with the scores of every
other pair that played the board. If you are North-South, your
real opponents are all the other North-South pairs, not the
particular E-W pair you play each time. On each board, a certain
number of match-points is awarded (usually one less than the
number of pairs who play the board). If 15 pairs play a board, the
best score receives 14 match-points, a 'top', the next best score
receives 13 and so on down to the worst score which receives 0, a
'bottom'. An average score would receive 7 match-points.
The scoring is done once for the N-S
pairs and then for the E-W pairs. Obviously, if a N-S pair scores
a top, the corresponding E-W pair against whom they played the
board gets a bottom. Each pair's points over all the boards are
totalled and the pair with the highest number of match-points
wins.

TACTICS
Tactics in pairs events differ from
those in rubber bridge. Careful declarer play and defence are the
order of the day. Every overtrick and every undertrick could be
vital. They make the difference between good scores and bad
scores. In rubber bridge, declarer's aim is almost always to make
the contract and the defence's aim is to defeat it. At pairs the
aim is to obtain the best possible score which may mean from
declarer's viewpoint that making the contract is a secondary
consideration while from the defenders' viewpoint, the possibility
of giving away an overtrick in trying to defeat the contract may
be unwarranted.
Being extremely competitive in the
bidding is essential. Almost always force the opposition to the
three-level on partscore deals. Be quick to re-open the bidding if
they stop at a very low level in a suit. In pairs events,
re-opening the bidding occurs ten times more often than at rubber
bridge.
Minor suit contracts at the game
zone, should be avoided. Prefer 3NT to 5C or 5D, even if 3NT is
riskier, since making an overtrick in 3NT scores more than a minor
suit game. On the other hand, it is not necessary to bid
borderline games or close slams. The reward for success is not so
great in pairs events as to justify 24 point games or 31 point
slams. You should be in game or in slam if it has a 50% or better
chance. If less, you will score better by staying out of it.
What counts at duplicate pairs is how
often a certain strategy will work for you, not the size of the
result. If a certain action scores 50 extra points 8 times out of
l0, but loses 500 twice, it is sensible at duplicate but
ridiculous at rubber bridge. Penalty doubles are far more frequent
at pairs since players are anxious to improve their score. The
rule about a two-trick safety margin is frequently disregarded
since one down, doubled, vulnerable, may be a top-score while one
down, undoubled, vulnerable, may be below average.
Safety plays which involve
sacrificing a trick to ensure the contract almost never apply in
pairs, unless the contract you have reached is an unbelievably
good one.
In the tournament world you will
encounter a remarkable number and variety of systems and
conventions and gradually you will come to recognise them. A most
important point to remember is that a bidding system is not some
secret between you and your partner. You and your partner are not
allowed to have any secret understanding about your bids. That is
cheating. A bidding system is not a secret code. The opponents are
entitled to know as much about what the bidding means as you or
your partner. If they ask you what you understand by a certain bid
of your partner's, you must tell them truthfully. Of course,
partner's bid may be meaningless and if you cannot understand it,
all you can do is to be honest and tell the opposition that you do
not know what partner's bid means.
Similarly, if you do not understand
the opposition's bidding, you are entitled to ask. When it is your
turn to bid but before you make your bid, you ask the partner of
the bidder 'Could you please explain the auction?' You may ask
during the auction or after the auction has ended, when it is your
turn to play. Unless it affects your making a bid, prefer to wait
until the auction is over. After all, the opposition might not
understand their bidding either and when you ask, they may well
realise their mistake.
If an irregularity occurs at the
table, do not be dismayed if the Director is called. That is a
normal part of the game and it is the Director's job to keep the
tournament running smoothly and to sort out any irregularities.

ETHICS
AND ETIQUETTE
Bridge enjoys immense popularity
partly because of the high standards of ethics and etiquette which
are observed by the players who are expected to conduct themselves
in a highly civilised manner. Violations of proper etiquette are
quite common from inexperienced players, either through ignorance
or inadvertence. A well-mannered opponent who is the victim of a
violation by such a novice player will, if comment is considered
necessary, be at pains to make it clear that the comment is
intended to be helpful and will never make a newcomer feel
ill-at-ease.
Bridge is an extremely ethical game.
All good players strive to ensure that their bridge ethics are
impeccable and no more serious charge, other than outright
cheating, can be made than to accuse a player of bad ethics.
Unlike poker in which all sorts of mannerisms, misleading
statements and bluff tactics are part and parcel of the game,
bridge is played with a 'pokerface'! Beginners are, of course,
excused for their lapses and in social games nobody minds very
much, but in serious competition your bridge demeanour must be
beyond reproach.
When you are dummy, it is poor form
to look at either opponent's hand or at declarer's. If you do, you
lose your rights as dummy. Do not stand behind declarer to see how
you would play. In tournament bridge, do not discuss the previous
hand with your partner if another hand is still to be played.
After the play of a hand is over, do
not take an opponent's cards and look at them without asking
permission. As a kibitzer (onlooker) try to watch only one hand
and above all, make no facial expressions during a hand. Do not
comment or talk during or between hands. If the players want the
benefit of your views, they will ask for them.
Conversation at the table in serious
games is generally unwelcome. Post-mortems after each hand, if
limited, can be useful as long as they seek to be constructive. It
is best to keep all post-mortems until the session is over and you
can go over the score-sheets with your partner at leisure. During
the session, conserve your energies to do battle at the next
table. It is extremely poor taste to abuse or criticise partner or
an opponent. Experienced players should go out of their way to
make novice players feel at ease, so that they see bridge as a
pleasant recreation, not a battleground. Never try to teach anyone
at the table.
Never let a harsh word pass your lips
and you will be a sought-after rather than a shunned partner.
Prefer to say too little than too much. If partner has bid or
played the hand like an idiot, say 'bad luck' and leave it at
that. Do not harp on past errors.

HOW TO
IMPROVE YOUR GAME
After you have been playing for some
time, the following suggestions may assist your desire to improve:
(a) Kibitz (watch) the best players
in action. There are tournaments continually in progress in which
top-flight players are playing. It usually costs you nothing to go
along and watch experts play. Very few experts object to being
watched. On the contrary it boosts their ego, and they may even
explain why they made a certain bid or a certain play. To obtain
the most benefit from such kibitzing you should watch one player
exclusively and try to decide what you would bid and play if you
had the same cards. Then you can compare your solution with what
the expert does in practice. If there is a startling discrepancy,
you might ask for guidance. Very few experts mind explaining to
those who are seeking to learn.
(b) Read some bridge books. There are
a few excellent books on bidding and quite a number on the play of
the cards. Unfortunately there are also quite a few which are
somewhat less than excellent. Ask an expert or a good bridge
teacher for advice about what books you should be reading. At the
early stages, books on card play are the better investment.
There is some controversy whether
bridge players are born or are made. It used to be the case that
the natural player had a considerable edge over those who found
bridge hard work. However, even the natural players now have to do
a fair amount of bookwork to keep up with technical advances.
Flair is certainly a help but expert technique is a skill that can
be acquired.
(c) Play toumament bridge as often as
you are able. Play with a partner who is better than you if
possible. Take particular notice of what happens when you come up
against expert pairs. Pay attention to the bids they make, the
leads they choose and how they play as declarer or in defence.
(d) Take advanced lessons from the
best teachers available.
(e) Keep up to date with bridge
magazines. There are some excellent magazines locally and
overseas. Seek the advice of a top player.
What is fascinating about bridge is
that it can be enjoyed at all levels but you will find that the
better you play, the more you enjoy it.
